Re: [-empyre-] art
Just a couple quick thoughts -
Once again, interesting points, Danny - I must have missed the
outburst ( or just reading/scanning too, too quickly. )
In any case, the most recent point raised re: JB ("i f Baudrillard
is more popular among artists than other theory readers," ) is
questionable. Perhaps the certainty of your point was articulated
earlier, however, I would venture to say that is far from fact.
Certainly, JB was "popular" but I see his theories( and teach ithem)
within a larger schema including other theorists ( i.e. Barthes,
Benjamin, Butler, & Virillo, + Williamson, Foster, Kelley, Rosler -
the latter two artist/theorists. ) who popularity was similarly
valued - at least in California.
Indeed, there are interesting questions embedded in the ways in which
theory is taught in art schools and their channels of distribution
and circulation. - as this uneasy alliance has always been perched on
a rather slippery slope. This topic might possibly serve as a
suggestion for a future month long discussion for empyre.
All best,
Chris
On Mar 15, 2007, at 2:31 PM, Danny Butt wrote:
Forget my last ill-advised outburst for the moment, or in french
style put a line through it so we can pretend it isn't there.
The interesting question for this list (as opposed to the other
ones processing JB) as I see it is: if Baudrillard is more popular
among artists than other theory readers, what does this tell us
about the relationship between art and theoretical production?
There are some interesting questions in there perhaps about how
theory is taught in art schools, and also the channels of theory
circulation.
Perhaps rather than talking about Baudrillard in the negative
(wasn't captured by academia, escaped being pinned down by
discipline x, never fit in) it would be possible to articulate
something distinctive about the modes of circulation his work
participated in and expanded - Semiotext(e) a case in point as Ken
suggested earlier.
--
http://www.dannybutt.net
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Christiane Robbins
- JEITZEIT -
... the space between zero and one ...
Walter Benjamin
LOS ANGELES I SAN FRANCISCO
The present age prefers the sign to the thing signified, the copy to
the original, fancy to reality, the appearance to the essence for in
these days illusion only is sacred, truth profane.
Ludwig Feuerbach, 1804-1872,
German Philosopher
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